Pitchfork
Loud Bloom
In both the Knife and solo, the Swedish producer has honed a uniquely playful style. On his long-awaited debut LP, he turns it toward a radically global vision of pop and dance music.
Dancing on the Wall
The self-professed “queer joy mini-skirt rollerblade” band embraces a darker palette and angstier themes on its fourth album, though pleasure, community, and sex remain lodestars.
Sound Therapy
The Brooklyn producer’s dance music has always felt unusually introspective; now she adds her own vocals, attempting to coax her fusion of footwork, techno, Jersey club out of the shadows.
Play Monk
The jazz quartet interprets the work of Thelonious Monk, expanding classic compositions into absorbing experimental journeys that stretch beyond free jazz.
The Needledrop
Isaiah Rashad - IT'S BEEN AWFUL
'IT'S BEEN AWFUL' has plenty of lyrical highlights, but is musically on the tepid side for the most part.
Noah Kahan - The Great Divide
Noah has certainly stepped his songwriting game up on The Great Divide, but the whole album is too bloated and washed-out for its own good.
Giant Claw & galen tipton - Mobile Suit Gym Rat
A very good follow-up to Keith and galen's previous collab.