The sixth album from John Ross’ heartland indie project offers terse, literary tales of American detritus while exuding an unshowy charm.
Inspired by new wave classics, the latest album from the Chicago post-punk band is a raging, uncontrollable dance party.
The Brooklyn musician brings first-thought-best-thought energy to her meditative songwriting, pairing muted introspection with stripped-down baroque-pop arrangements for piano, strings, and synth.
On her debut album, the British singer-songwriter frames interpersonal tension as a wellspring of potential connection in a set of hushed psych-folk songs.