Filled with 1-to-1 recreations of classic trap and hooks that should’ve stayed in the drafts, Sexyy Red’s new album is more boring than it has any right to be.
Percussionist and sound artist Colin Blanton mints a new alias for a suite of improvisational industrial jams where distortion is baked in at the atomic level.
Desolation reigns over the Bay Area musician’s skeletal songs for voice and guitar, but her latest album reveals a defiant new edge to her songwriting and fuzzed-out production.
A new anthology of the early Boston punks captures a pivotal moment in the city’s underground history, filling in the timeline between the Modern Lovers and Mission of Burma.