Each Sunday, Pitchfork takes an in-depth look at a significant album from the past, and any record not in our archives is eligible. Today, we look back at the 1972 album from Fanny, a real rock spectacle laced with tenderness, sisterhood, and impeccable riffs that just never got its due.

The New York electro-punks’ second album is based on a wild concept that builds out a knotty, eccentric, and surprisingly sentimental world.

After a decade of twists, turns, and experiments, the country star goes back to her roots on an expertly written, guest-heavy new album.

The UK trio’s second album marries jazz-kid experimentalism with taut punk, sprawling worldbuilding, and social commentary, featuring production from Geordie Greep.