On the latest album from his DJ alias, Caribou’s Dan Snaith ups the tempo and doubles down on big-room oomph, sacrificing some of the appealing eccentricity of his best work.
Crammed with digital texture and waterlogged by synthetic ocean chorales, the underground pop producer’s new album sinks under the weight of prog ambition.
The London-based artist maps the human-machine interface on his latest EP, wrapping a fuzzed-out wall of guitars in uncanny layers of Auto-Tuned vocals.
The Toronto band’s third album is a headlong pop-punk sugar rush.